਍ഀ ਍㰀洀攀琀愀 渀愀洀攀㴀吀椀琀氀攀 挀漀渀琀攀渀琀㴀∀∀㸀ഀ ਍㰀洀攀琀愀 栀琀琀瀀ⴀ攀焀甀椀瘀㴀䌀漀渀琀攀渀琀ⴀ吀礀瀀攀 挀漀渀琀攀渀琀㴀∀琀攀砀琀⼀栀琀洀氀㬀 挀栀愀爀猀攀琀㴀甀渀椀挀漀搀攀∀㸀ഀ ਍㰀洀攀琀愀 渀愀洀攀㴀䜀攀渀攀爀愀琀漀爀 挀漀渀琀攀渀琀㴀∀䴀椀挀爀漀猀漀昀琀 圀漀爀搀 ㄀㐀∀㸀ഀ ਍㰀氀椀渀欀 爀攀氀㴀䘀椀氀攀ⴀ䰀椀猀琀 栀爀攀昀㴀∀爀攀猀甀洀攀开昀椀氀攀猀⼀昀椀氀攀氀椀猀琀⸀砀洀氀∀㸀ഀ ਍㰀氀椀渀欀 爀攀氀㴀琀栀攀洀攀䐀愀琀愀 栀爀攀昀㴀∀爀攀猀甀洀攀开昀椀氀攀猀⼀琀栀攀洀攀搀愀琀愀⸀砀洀氀∀㸀ഀ ਍㰀洀攀琀愀 栀琀琀瀀ⴀ攀焀甀椀瘀㴀䌀漀渀琀攀渀琀ⴀ匀琀礀氀攀ⴀ吀礀瀀攀 挀漀渀琀攀渀琀㴀∀琀攀砀琀⼀挀猀猀∀㸀ഀ ਍㰀℀ⴀⴀ嬀椀昀 最琀攀 洀猀漀 㤀崀㸀㰀砀洀氀㸀ഀ ਍㰀⼀砀洀氀㸀㰀℀嬀攀渀搀椀昀崀ⴀⴀ㸀㰀℀ⴀⴀ嬀椀昀 最琀攀 洀猀漀 㤀崀㸀㰀砀洀氀㸀ഀ ਍  㰀漀㨀椀搀洀愀瀀 瘀㨀攀砀琀㴀∀攀搀椀琀∀ 搀愀琀愀㴀∀㄀∀⼀㸀ഀ ਍㰀⼀栀攀愀搀㸀ഀ ਍㰀戀漀搀礀 戀最挀漀氀漀爀㴀眀栀椀琀攀 氀愀渀最㴀䔀一ⴀ唀匀 猀琀礀氀攀㴀✀琀愀戀ⴀ椀渀琀攀爀瘀愀氀㨀⸀㔀椀渀✀ 氀攀昀琀洀愀爀最椀渀㴀㈀㔀㸀ഀ ਍㰀搀椀瘀 挀氀愀猀猀㴀圀漀爀搀匀攀挀琀椀漀渀㄀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㄀㸀㰀戀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀䬀攀渀 䘀愀渀搀攀氀氀㰀⼀猀瀀愀渀㸀㰀⼀戀㸀㰀猀瀀愀渀ഀ style='mso-bidi-font-family:"Times New Roman"'>

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American, b.਍㄀㤀㜀㄀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀䰀椀瘀攀猀 愀渀搀ഀ works in Los Angeles, California

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EDUCATION                                   

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1991 – 1993

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BFA The School of the Art਍䤀渀猀琀椀琀甀琀攀 漀昀 䌀栀椀挀愀最漀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ Times'> 

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1989 – 1990

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University of California at਍匀愀渀琀愀 䈀愀爀戀愀爀愀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀吀椀洀攀猀✀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀☀渀戀猀瀀㬀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀戀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀匀䔀䰀䔀䌀吀䔀䐀ഀ SOLO EXHIBITIONS AND PROJECTS

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2013

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Sky Above Me (Asheville)

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2012

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Lasers and Fog, Crystals and਍圀愀瘀攀猀Ⰰ 愀渀搀 䜀爀椀搀猀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Tomlinson Kong Gallery, New York

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2011

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Finger਍㈀　㄀　㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Tony Wight Gallery, Chicago                                    ,਍䐀漀渀愀氀搀 夀漀甀渀最 䜀愀氀氀攀爀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㤀㰀猀瀀愀渀ഀ class=apple-tab-span>                           

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Me and਍䜀愀氀眀愀礀 䈀愀礀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰ ㄀㈀㘀ഀ Gallery, Galway, Ireland

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Evermore

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2008 – 2009                                   

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2008                                    , Tony Wight Gallery, Chicago

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Part I: The Most Important਍倀椀挀琀甀爀攀 䔀瘀攀爀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Tony Wight Gallery, Chicago

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Old Pictures                                    , Traywick਍䌀漀渀琀攀洀瀀漀爀愀爀礀Ⰰ 䈀攀爀欀攀氀攀礀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    (with Diana Guerrero- 

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The Planets

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The Planets                                    , San Jose਍䤀渀猀琀椀琀甀琀攀 漀昀 䌀漀渀琀攀洀瀀漀爀愀爀礀 䄀爀琀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㐀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Museum of Contemporary Art,਍䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ,਍䈀漀搀礀戀甀椀氀搀攀爀 ☀愀洀瀀㬀 匀瀀漀爀琀猀洀愀渀 䜀愀氀氀攀爀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㌀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Howard House, Seattle

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More Oscillations Between਍䤀渀昀椀渀椀琀礀 愀渀搀 倀爀漀砀椀洀椀琀礀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Traywick Contemporary, Berkeley

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Ever, ever, and ever (almost)                                    , Bodybuilder & Sportsman਍䜀愀氀氀攀爀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ,਍匀甀椀琀攀 ㄀　㘀Ⰰ 一攀眀 夀漀爀欀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Traywick਍䌀漀渀琀攀洀瀀漀爀愀爀礀Ⰰ 㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀䈀攀爀欀攀氀攀礀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㄀㤀㤀㠀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Southern Exposure, San਍䘀爀愀渀挀椀猀挀漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀☀渀戀猀瀀㬀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀戀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀匀䔀䰀䔀䌀吀䔀䐀ഀ GROUP EXHIBITIONS

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2013

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Passing Time,Bakalar Gallery, MASS Art, Boston

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, Tomlinson Kong Gallery, New਍夀漀爀欀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　㄀㈀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ "Times New Roman"'>                                    , Pabellón਍嘀椀氀氀愀渀甀攀瘀愀 㰀猀瀀愀渀 挀氀愀猀猀㴀匀瀀攀氀氀䔀㸀倀栀漀琀㰀⼀猀瀀愀渀㸀 㰀猀瀀愀渀 挀氀愀猀猀㴀匀瀀攀氀氀䔀㸀䔀猀瀀愀愀㰀⼀猀瀀愀渀㸀ഀ 2012, Madrid, Spain

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Passing Time,Zilkha Gallery, Wesleyan University, Middletown, CT

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Passing Time,                                    Peeler Art Center, DePauw University,਍䜀爀攀攀渀挀愀猀琀氀攀Ⰰ 䤀一㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ "Times New Roman"'>                                    , Chicago Cultural Center,਍䌀栀椀挀愀最漀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀吀椀洀攀猀✀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　㄀㄀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ਍䴀椀渀渀攀愀瀀漀氀椀猀 䤀渀猀琀椀琀甀琀攀 漀昀 䄀爀琀猀Ⰰ 㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀䴀椀渀渀攀愀瀀漀氀椀猀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ,਍䠀攀渀爀礀 䄀爀琀 䜀愀氀氀攀爀礀Ⰰ 匀攀愀琀琀氀攀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Fourteen30 Contemporary,਍倀漀爀琀氀愀渀搀Ⰰ 伀刀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Andrew Rafacz਍䜀愀氀氀攀爀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Roots and Culture Contemporary਍䄀爀琀 䌀攀渀琀攀爀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Co-Prosperity Sphere, Chicago

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New Wall Works                                    , Museum of Contemporary਍倀栀漀琀漀最爀愀瀀栀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　㄀　㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , US Embassy, Paris, France

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TypO

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Blueness

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2009

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Collection Highlights

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almost, Hamiltonian Gallery,਍圀愀猀栀椀渀最琀漀渀 䐀䌀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㠀㰀猀瀀愀渀ഀ class=apple-converted-space> 

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Collection Highlights

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Time is of the Essence:਍䌀漀渀琀攀洀瀀漀爀愀爀礀 䰀愀渀搀猀挀愀瀀攀 䄀爀琀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Asheville Art Museum, Asheville, NC

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Synthetic Supernova, 

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2007

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Exposed: Defining Moments in਍倀栀漀琀漀最爀愀瀀栀礀 昀爀漀洀 琀栀攀 䴀䌀䄀 䌀漀氀氀攀挀琀椀漀渀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ "Times New Roman"'>, Museum of

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Contemporary Art, Chicago

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In Words: The Art of Language,           

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                  2005

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Still, Things Fall from the Sky

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Into the Midst                                    , Sixteen:one਍䜀愀氀氀攀爀礀Ⰰ 匀愀渀琀愀 䴀漀渀椀挀愀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㐀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                                                        , San Francisco Art Institute,਍匀愀渀 䘀爀愀渀挀椀猀挀漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Indianapolis Museum of਍䌀漀渀琀攀洀瀀漀爀愀爀礀 䄀爀琀Ⰰ 䤀渀搀椀愀渀愀瀀漀氀椀猀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    performative space of video

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Subvisuals

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Drunk vs. Stoned

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2003

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Acts of Futility

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There Goes My HeroNorthumbria Gallery, Newcastle, England

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Red Square Film and Video਍䘀攀猀琀椀瘀愀氀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Cincinnati Art Museum, Cincinnati

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A Clearing

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Coming to Terms with the਍䔀瘀攀爀礀搀愀礀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰ 䤀渀搀椀愀渀愀ഀ University SoFA Gallery, Bloomington

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2002

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The Body Present: Effigies:਍䐀攀挀漀礀猀Ⰰ 愀渀搀 伀琀栀攀爀 䔀焀甀椀瘀愀氀攀渀琀猀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Museum of

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Contemporary Art, Chicago

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About The Mind (Not Everything਍夀漀甀 䄀氀眀愀礀猀 圀愀渀琀攀搀 吀漀 䬀渀漀眀⤀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Queens Museum of Art, Queens, New York

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Tasty DogKrems, Austria

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Sculpture in Chicago Now II                                    , Donald Young Gallery, Chicago

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Under the Impression That When਍夀漀甀 圀攀爀攀 圀愀氀欀椀渀最 䘀漀爀眀愀爀搀 夀漀甀 圀漀甀氀搀 䔀渀搀 唀瀀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ "Times New Roman"'> Further Onward, Bodybuilder & Sportsman Gallery,਍䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Traywick਍䌀漀渀琀攀洀瀀漀爀愀爀礀Ⰰ 䈀攀爀欀攀氀攀礀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Bodybuilder & Sportsman਍䜀愀氀氀攀爀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ,਍㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀刀漀挀欀昀漀爀搀㰀⼀猀瀀愀渀㸀 䄀爀琀 䴀甀猀攀甀洀Ⰰ 䤀䰀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　　㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Gallery 312, Chicago

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Techno – Residium

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1999

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Lost Horizons: California਍䰀愀渀搀猀挀愀瀀攀猀㰀⼀猀瀀愀渀㸀㰀⼀椀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀Ⰰഀ Peter Miller Gallery, Chicago

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Fact or Fiction

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Depth of Field                                    , 9251/2 Tularosa, Los Angeles

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Baywatch

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1997

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Distractions                                    , Bronwyn Keenan Gallery, New਍夀漀爀欀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    Contemporary

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1996

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Profiles

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Glow

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Whoosh                                    , Hyde Park Art Center, Chicago

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Custom Complex

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AWARDS

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Louis Comfort Tiffany Foundation਍䄀眀愀爀搀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                                                       

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The School of the Art Institute਍漀昀 䌀栀椀挀愀最漀 䴀攀爀椀琀 匀挀栀漀氀愀爀猀栀椀瀀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀☀渀戀猀瀀㬀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀戀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀匀䔀䰀䔀䌀吀䔀䐀ഀ COLLECTIONS

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The Brooklyn਍䴀甀猀攀甀洀 漀昀 䄀爀琀Ⰰ 一攀眀 夀漀爀欀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                   

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Museum of Contemporary਍倀栀漀琀漀最爀愀瀀栀礀Ⰰ 䌀栀椀挀愀最漀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                                                       

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Ashville Art Museum, North਍䌀愀爀漀氀椀渀愀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                   

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The Bank of America/LaSalle Bank਍䌀漀氀氀攀挀琀椀漀渀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                   

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City of Chicago

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SELECTED਍䈀䤀䈀䰀䤀伀䜀刀䄀倀䠀夀㰀⼀猀瀀愀渀㸀㰀⼀戀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　㄀㌀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Kate. "What's਍唀瀀 椀渀 䈀漀猀琀漀渀Ⰰ☀焀甀漀琀㬀 䈀漀猀琀漀渀 䜀氀漀戀攀⸀㰀⼀猀瀀愀渀㸀 䨀愀渀甀愀爀礀 ㈀㤀琀栀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　㄀㈀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                   

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Segal, Troy. "Opposites਍䄀琀琀爀愀挀琀Ⰰ☀焀甀漀琀㬀 䤀一 一攀眀 夀漀爀欀⸀ 䐀攀挀攀洀戀攀爀⸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　㄀㄀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                                                        "Chicago Chocolate Tour," UltraPDX.਍䨀甀渀攀 ㄀㈀琀栀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    fNewsMagazine,਍䨀甀氀礀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    Trickhouse, Volume 13/Summer 2011

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Foerstner

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2010

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Dluzen March 3.                                    Chicagoist. 

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2009

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Apple, Lauri.਍㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀☀焀甀漀琀㬀䄀渀 䤀渀琀攀爀瘀椀攀眀 眀椀琀栀 䬀攀渀 䘀愀渀搀攀氀氀Ⰰ☀焀甀漀琀㬀 㰀猀瀀愀渀ഀ class=SpellE>Chicagoist. August 24.

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Andrews, Kernan.਍㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀☀焀甀漀琀㬀䄀 琀漀渀最甀攀ⴀ椀渀ⴀ挀栀攀攀欀 瘀椀攀眀 漀昀 䜀愀氀眀愀礀 昀漀爀 吀唀䰀䌀䄀Ⰰ☀焀甀漀琀㬀ഀ Galway Advertiser. November 5.

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McDonaghme and Galway Bay, 126, Galway,਍一漀瘀攀洀戀攀爀 ㈀　　㤀Ⰰ㰀⼀猀瀀愀渀㸀☀焀甀漀琀㬀 䌀䤀刀䌀䄀 䌀漀渀琀攀洀瀀漀爀愀爀礀 愀爀琀 椀渀 䤀爀攀氀愀渀搀⸀㰀猀瀀愀渀ഀ class=apple-converted-space> 

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Fleming, Simon. "

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2008

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Nance, Kevin.

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Times. March 21.

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Kinkley

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2007

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SozanskiEdwarrd J. “The Power of Language as Image,” The਍倀栀椀氀愀搀攀氀瀀栀椀愀 䤀渀焀甀椀爀攀爀⸀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀ഀ January.

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Mylonas-Orwig “One Fine Day,” Chicago਍吀爀椀戀甀渀攀⸀ 䨀甀氀礀 ㄀㐀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ Times'> 

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LudwinArtsHouston. July.

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2006

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YoodArtForum. February,਍瀀⸀㈀㄀㔀⸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    “Ken Fandell at Bodybuilder and Sportsman,” Art in America.਍䴀愀礀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀吀椀洀攀猀✀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㔀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Leah. “Things Fall, But Not਍儀甀椀琀攀 吀漀最攀琀栀攀爀ᴀ†䰀漀猀 䄀渀最攀氀攀猀 吀椀洀攀猀⸀ 一漀瘀攀洀戀攀爀 ㈀㌀⸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Andrew. “Visual Arts Pick,”਍匀攀愀琀琀氀攀 圀攀攀欀氀礀⸀ 匀攀瀀琀攀洀戀攀爀 ㄀㐀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀ഀ style='font-family:Times'> 

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Regina, Hackett.  

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WilkNovember, p.129.                                   

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“Ambitious Art,” Missoula਍䤀渀搀攀瀀攀渀搀攀渀琀 䴀愀最愀稀椀渀攀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ Times'> 

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“Partners,” Art Access.                                    

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“Things Fall਍昀爀漀洀 琀栀攀 匀欀礀Ⰰᴀ†㰀猀瀀愀渀 挀氀愀猀猀㴀匀瀀攀氀氀䔀㸀吀椀洀攀伀甀琀㰀⼀猀瀀愀渀㸀 䌀栀椀挀愀最漀⸀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀ഀ class=apple-converted-space>

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2004

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Hixson, Kathryn. “Ken Fandell,”                                                                          

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“Coming to Terms with the਍䔀瘀攀爀礀搀愀礀Ⰰᴀ†䐀椀愀氀漀最甀攀⸀ 㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ Times'> 

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“CoverStory,”਍䴀漀甀琀栀 琀漀 䴀漀甀琀栀⸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    , Bill. “Seamsters,”਍䌀栀椀挀愀最漀 刀攀愀搀攀爀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀吀椀洀攀猀✀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                     

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“Picks,” The Flater.਍嘀椀攀渀渀愀Ⰰ 䄀甀猀琀爀椀愀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀ഀ Times'> 

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Berry, S.L. “Exploring਍䰀愀渀搀猀挀愀瀀攀猀Ⰰ 䌀漀渀琀攀洀瀀漀爀愀爀礀 䄀爀琀 匀琀礀氀攀Ⰰᴀ†吀栀攀 䤀渀搀椀愀渀愀瀀漀氀椀猀 匀琀愀爀⸀ 䄀甀最甀猀琀 ㈀㜀⸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㈀　　㌀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                   

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Harwood, Andrew. “Art Chicago਍㈀　　㌀㨀 吀栀攀 䄀爀琀 䤀渀搀甀猀琀爀椀愀氀 䌀漀洀瀀氀攀砀Ⰰᴀ†䌀 䴀愀最愀稀椀渀攀⸀ 匀甀洀洀攀爀⸀㰀猀瀀愀渀ഀ class=apple-converted-space> 

਍ഀ

“Eye Exam/Space Travel,“ New਍䌀椀琀礀⸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ArtNet.                                    

਍ഀ

2002

਍ഀ

“The Body਍倀爀攀猀攀渀琀 愀琀 琀栀攀 䴀䌀䄀Ⰰᴀ†䌀栀椀挀愀最漀 㰀猀瀀愀渀 挀氀愀猀猀㴀匀瀀攀氀氀䔀㸀匀甀渀吀椀洀攀猀㰀⼀猀瀀愀渀㸀⸀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀ഀ style='mso-bidi-font-family:"Times New Roman"'>

਍ഀ

Journal of਍䴀甀渀搀愀渀攀 䈀攀栀愀瘀椀漀爀⸀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀ഀ Volume 3, Number 2

਍ഀ

“News,” Artkrush.

਍ഀ

“SRO,” Pioneer Press.

਍ഀ

Butler, Greg. “Ken Fandell gives਍愀 猀栀漀眀 漀昀 栀愀渀搀猀 愀琀 琀栀攀 䴀甀猀攀甀洀 漀昀 䌀漀渀琀攀洀瀀漀爀愀爀礀 䄀爀琀Ⰰᴀ†䌀栀椀挀愀最漀 䄀爀琀猀 ☀愀洀瀀㬀ഀ Entertainment. February.                                     

਍ഀ

2001

਍ഀ

“Outdoors,” San Francisco Chronicle.

਍ഀ

Baker, Kenneth.  

਍ഀ

Ken Fandell “I've Got This਍䘀爀椀攀渀搀Ⰰᴀ†一攀眀 䄀爀琀 䔀砀愀洀椀渀攀爀⸀ 一漀瘀攀洀戀攀爀⸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    loathings? – The Art of Ken Fandell,”਍㄀　砀㄀　⸀ 㰀猀瀀愀渀 挀氀愀猀猀㴀䜀爀愀洀䔀㸀嘀漀氀⸀ ㄀ 渀漀⸀ ㌀Ⰰ 瀀瀀⸀㈀　ⴀ㌀㄀⸀㰀⼀猀瀀愀渀㸀㰀猀瀀愀渀ഀ class=apple-converted-space> 

਍ഀ

1999

਍ഀ

Mutscheller

਍ഀ

Camper, Fred.January 22, p.33.                                    NewCity.                                     ArtWeek.                                    “Postmodern Humor at Southern Exposure,” San Francisco Chronicle.਍䴀愀爀挀栀 ㄀　⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ挀漀渀瘀攀爀琀攀搀ⴀ猀瀀愀挀攀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀昀漀渀琀ⴀ昀愀洀椀氀礀㨀吀椀洀攀猀✀㸀☀渀戀猀瀀㬀㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    “Raw Talents,” Los Angeles Times. March 10.                                    , Margo. “No. 15, pp.66-67.

਍ഀ

1997

਍ഀ

                                                      Twentyfive,” SPEAK.                                     

਍ഀ

Weinstein, Michael. “NewCity. January 16.

਍ഀ

1996

਍ഀ

“25andUnder,”

਍ഀ

Reiter, “Longing for the Sublime,” Bay Times. Vol. 17 no. 19, June਍㈀㜀⸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ琀愀戀ⴀ挀漀甀渀琀㨀㄀✀㸀ꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀꀀ 㰀⼀猀瀀愀渀㸀㰀⼀猀瀀愀渀㸀㰀漀㨀瀀㸀㰀⼀漀㨀瀀㸀㰀⼀猀瀀愀渀㸀㰀⼀瀀㸀ഀ ਍㰀瀀 挀氀愀猀猀㴀瀀㈀㸀㰀猀瀀愀渀 挀氀愀猀猀㴀愀瀀瀀氀攀ⴀ琀愀戀ⴀ猀瀀愀渀㸀㰀猀瀀愀渀 猀琀礀氀攀㴀✀洀猀漀ⴀ戀椀搀椀ⴀ昀漀渀琀ⴀ昀愀洀椀氀礀㨀∀吀椀洀攀猀 一攀眀 刀漀洀愀渀∀✀㸀㰀猀瀀愀渀ഀ style='mso-tab-count:2'>                                    ArtWeek.